Genesis P-Orridge has been one of the most innovative and influential figures in music and fine art for the last 30 years. A link between the pre- and post-punk eras, he is the founder of the legendary groups COUM Transmissions (1969-1976), Throbbing Gristle (1975-1981), and Psychic TV (1981 to present), all of which merged performance art with rock music. Celebrated by critics and art historians as a progenitor of “industrial music”, his innovations have transformed the character of rock and electronic music while his prodigious efforts to expand the boundaries of live performance have radically altered the way people experience sound in a concert setting.
But that’s just the preamble to the story. Defying artistic boundaries, Genesis has re-defined his art as a challenge to the limits of biology. In 2000, Genesis began a series of sex reassignment surgeries in order to more closely resemble his love, Lady Jaye (née Jacqueline Breyer), who remained his wife and artistic partner for nearly 15 years. It was the ultimate act of devotion, and Genesis’s most risky, ambitious, and subversive performance to date: he became a she in a triumphant act of artistic self-expression. Genesis called this project “Creating the Pandrogyne”, an attempt to deconstruct two individual identities through the creation of an indivisible third.
Director Marie Losier